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The IUP Journal of English Studies :
Fiction as Social History: A Study of Khushwant Singh’s Novels
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This paper re-evaluates the fiction of Khushwant Singh, a Sahitya Akademi fellow. What makes his fiction noteworthy is that it depicts with force, brilliance and passion the problems which torture and torment the Indian spirit in contemporary times. Though Khushwant Singh is famous as “India’s most prized dirty old man”, his fictional writings have hardly received the attention they deserve. My purpose here, however, extends beyond a mere reading of his fiction. I wish to argue that the conventional ways in which Khushwant Singh is understood—as a “salacious gossip” and a writer whose books “make for brisk sales at railway stalls”—are actually insufficient if not misleading. I argue that his body of work underlines the specific features of many social problems which engage our attention and it seeks to give us a sense of direction, whither we are to advance and how.

 
 
 

Khushwant Singh has an India-wide understanding of our social problems. His writings depict with force, brilliance and passion the problems which torture and torment the Indian spirit in contemporary times. He has pointed out the drawbacks that plague India, which hold her back from moving full steam ahead on the path of progress. If we seek to understand the India of today which we love so passionately, we find a vivid reflection of it in his writings. His body of work underlines the specific features of many social problems which engage our attention and it seeks to give us a sense of direction, whither we are to advance and how. Thus, it is rich in lessons for the student-historian of society to learn. His literary creations not only mirror society, but also try to transform it, to remould it “nearer to the heart’s desire”.

The special qualities of Singh are described thus in the introductory note of collection of essays titled Khushwant Singh’s India (1970), “Khushwant Singh has been described as India’s Malcolm Muggeridge. He holds nothing sacred. He enjoys nothing more than dipping his barbed pen in a pot of vitriol and lambasting the establishment, the accepted order of things political, religious or social and puncturing inflated reputations” (Singh, 1970, p. 1).

 
 
 

English Studies Journal, Fiction, Social History, A Study of Khushwant Singh’s Novels.