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 The Analyst Magazine:
Sakuntala : Kalidasa's Magical Weave
 
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On the banks of the river Malini, a deer stops by to look at its reflection.... The hermitage of Kanva is an abode of peace where man and the natural world coexist in harmony. As Sakuntala is about to depart for the palace leaving behind all that she holds dear, her friend Priyamvada says: "…As the time of separation approaches, the whole grove seems to share your anguish/In sorrow for thy loss, the herd of deer/Forget to browse; the peacock on the lawn/ Ceases its dance; the very trees around us/Shed their pale leaves, like tears, upon the ground."

Kalidasa casts a giant shadow over the literary firmament with just six surviving works: three plays and three poems. The three plays include Malavikagnimitra, Vikramorvasiya, and Abhijnanasakuntala. The poems include a lyric monologue of nature, Meghaduta (The Cloud Messenger) and two long lyric narratives, Raghuvamsa (The Lineage of Raghu) and Kumarasambhava (The Birth of Siva's Son). Composed in the early fifth century AD, Sakuntala is considered a masterpiece of classical Indian literature. With its humor, fairy tale situations, mixture of supernatural elements, reflection of the ancient Indian ethos and its infinite charm, the play has never failed to inspire: poets, composers, dramatists—all have come under its spell. The play presents glimpses of life in the court and life in the forest—"In palaces such charms are rarely ours;/The woodland plants outshine the garden flowers"—the contrasting spheres of action and renunciation.

 
 

The Analyst Magazine, Viswamitra, Sakuntala, Sakunta Birds, Literary Firmament, Abhijnanasakuntala, Indian philosophy, Sanskrit Critics, Rich Mythological Layers, Vast Cosmic Landscape, Unceremonious Marriage.

 
 
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