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The IUP Journal of English Studies :
Sociopolitical Reading of R K Laxman’s Common Man
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This paper proposes a sociopolitical discourse on R K Laxman’s Common Man. The pocket cartoons featuring the ‘Common Man’ made their foray into the Indian consciousness in 1951 through a daily comic strip called “You Said It” in The Times of India. The comic strip was an earnest attempt to encapsulate the myriad images of post-independent India through the lens of the Common Man. This comic strip achieved iconic status as it effectively captured the changing psyche of Indians, and the simple dhoti-clad middle-aged Common Man turned out to be a representative figure echoing the dreams, fears, hopes, and frustrations of the ordinary Indian citizen. Moreover, as the mute spectator to all the social, political, and economic events around him, the Common Man’s silence mirrored the state of vulnerability of the world’s largest democracy.

 
 
 

Art is an imaginative expression to capture the evolving mindscapes and cultural contours of a society. There have been many instances when artistic sensibilities have developed and transfigured in accordance with the changing social, economic, and political scenarios of a community. This paper proposes a sociopolitical discourse on R K Laxman’s Common Man. The pocket cartoons featuring the ‘Common Man’ made a foray into Indian consciousness in 1951 through a comic daily strip called “You Said It” in The Times of India. The comic strip was an earnest attempt to encapsulate the myriad images of post-independent India through the lens of the Common Man. Through this paper, my effort is to analyze Laxman’s comic strips at three levels: as a social commentary; as a satirical comment on the political developments of India; and finally as a visual art.

 
 
 

English Studies Journal, Sociopolitical Reading, Social Reach, Political Ironies, Cartooning, R K Laxman’, Common Man.