This paper introduces the necessity of an integrating paradigm within the realm of Comparative Literature studies. The necessity of a new paradigm is made clear by regarding the rest of disciplines—literary and extra-literary—as integrating elements of it. This pattern is presented as opposed to some recent trends that are characterized by fragmentation and false specialization. It also analyzes some old fears and attitudes, such as the fear of science and the Comparative Literature label as an Arts discipline. To support this proposal, literary works are considered as communication elements and not as mere artistic constructs. From this stance, the author supports integration and the integrity paradigm basing these concepts upon the principles of physics, like the energy and entropy law. Everything leading to demonstrate that the Comparative Literature universe, like the universe itself, must be and is continuously expanding.

Comparative Literature methodology has lately undergone a deep change, not only in its different perspectives, but also in its orientation. It is evident that new trends have appeared and that these new currents underline the fact that it is almost impossible to propose a single pattern to solve the different problems of Comparative Literature. It is also obvious that one of the consequences of this wide area of study has been its division and fragmentation. Eva Kushner (1995: 71-80) has explained the way in which these various fragmentation features are a sign of the new times in the field of Comparative Literature research. These characteristics, too, contrary to any kind of logical argument and paradoxically, are their best allies and allow a more impartial study and analysis.

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