I was in the class of Executive
MBA program of 40 students. I
asked a question to the students to recall an advertisement and
its storylines screened on television during IPL-2. To my surprise,
the majority of them responded spontaneously `Zoozoos
from Vodafone' and these responses were beyond my expectation. In fact, I
was expecting the ads, endorsed either by a cricket player or by any
other celebrity." Every person nowadays is talking about these
funny creatures of Vodafone. TOMA (Top of Mind Awareness) or Recall
or Recognition, these ads fulfill all the basic criteria to be an
effective advertising campaign. These unique characters have similar
human habits of screaming, laughing, humming, singing, gesturing,
and even of dying. All the characters are splendid, entertaining
and charming. These creatures are named as `Zoozoos'. Zoozoos are
the invention of O&M, the leading advertising agency of India,
created for Vodafone's latest marketing campaign launched during the
IPL 2 season.
Zoozoos are comical creatures that look like the cousins of the
Pilsbury dough boy. Some kids relate it to `Casper' a famous cartoon
character also. They were created mainly to communicate the
value-added services offered by Vodafone. The egghead characters (having
head akin to eggs) are white colored, having disproportionate
thin bodies, have black dots for eyes and a mouth. They live in a very
similar world like humans', speak their own coded language (sounds
likes gabble) and are expressive with huge frowns and big
grins.
A completely Indian concept, Zoozoos were born off the
screen just six months before the IPL 2 season, when Vodafone briefed
its ad agency, O&M, about its idea of creating unique characters for
its advertisements. The agency was asked by Vodafone to build
stupefying creatures which could make fun of everything and
also communicate the message to the viewers with the help of
their humorous acts. These characters were called Zoozoos to add
some more fun in the concept and also because the term was easy
to pronounce. |