Pub. Date | : June, 2022 |
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Product Name | : The IUP Journal of English Studies |
Product Type | : Article |
Product Code | : IJES130622 |
Author Name | :Febin Vijay and Priyanka Tripathi |
Availability | : YES |
Subject/Domain | : Arts & Humanities |
Download Format | : PDF Format |
No. of Pages | : 16 |
A meticulous glance at the history of crime fiction reflects that the genre has gained its strength by insidiously planting and nurturing masculine heritage. However, this study negates the idea that the genre of Indian crime fiction is essentially a male domain by primarily exploring the ways in which the genre has been appropriated by some of the contemporary female writers in deliberating upon issues related to gender within the Indian context. The way in which women writers have reworked on the conventional image of the sleuth, thereby using the genre as a vehicle for subversion against the crimes to which women are constantly subjected, forms a major part of this article, which includes a detailed analysis of Deepanjana Pal's Hush a Bye Baby: The Cradle will Fall, and Sujata Massey's The Widows of Malabar Hill.