Dec'19

The IUP Journal of English Studies

Focus

The controversy stems from the popular impression people have of Dylan. The name �Bob Dylan� at once brings to one�s mind�s eye not the image of a writer peering at the words on a paper in a book-filled room but that of a singer with mazy hair, gaunt visage, and a detached forlorn expression, strumming on a guitar strapped around his neck, and crooning in a snarling inflection and weathered gravel-y voice that directly speaks to one in a way only Bob Dylan�s could, despite his appearing to sing for himself than for others.

It is this impression that informed the literary world�s recoiling at the news of a popular musician/songwriter being awarded the Nobel Prize in Literature, unarguably the highest recognition reserved, in the words of Alfred Nobel, for �the person who shall have produced in the field of literature the most outstanding work in an ideal direction.�

Till the time the Swedish Academy, which awards the Nobel Prize, chose to confer it on Dylan in 2016, �for having created new poetic expressions within the great American song tradition,� the much-coveted prize had been given to an author of an outstanding body of work in the field of literature. Despite the occasional and inescapable opprobrium at the politics behind the choice or at the merit of an author chosen, the literary world more or less accepted the Swedish Academy�s choice, at times grudgingly.

But the news about the choice of Dylan for the prize�the first and so far the only time a songwriter has been chosen�was received with considerable disbelief and derision in the literary world. The critics of the choice were like: Granted, Dylan is a songwriter par excellence and an icon of the 1960s� counterculture, who wrote lyrics that touched upon an impressive range of philosophical, political, and social issues; nevertheless, he is a songwriter, the merit of whose work is in no way comparable to that of a reputed poet or novelist with a body of work of great merit and substance.

Irvine Welsh, the author of the much-admired novel Trainspotting, took to Twitter to convey his disappointment at the choice: �I�m a Dylan fan, but this is an ill-conceived nostalgia award. . . . If you�re a �music� fan, look it up in the dictionary. Then �literature.� Then compare and contrast.� Acclaimed Norwegian novelist Karl Ove Knausgaard in a chat on The Guardian website, observed, �I�m very divided. I love that the novel committee opens up for other kinds of literature�lyrics and so on. . . . But knowing that Dylan is the same generation as Pynchon, Philip Roth, Cormac McCarthy, makes it very difficult for me to accept it.�

The said comments neatly sum up the objections of those opposed to the choice of Dylan for the prize: Isn�t awarding Dylan the Nobel Prize a category error? Do song lyrics have literary merit? Does Dylan�s work have more literary merit than that of eminent men of letters in contemporary literature? Has the Nobel Prize lost its way to low culture?

While answers to those questions are bound to be subjective, the fact remains that with its choice of Dylan, known more for his genre-hopping music, unconventional singing style, and antique voice quality that defied the then acknowledged parameters of pop singing, the Swedish Academy has chosen to include popular song lyrics�considered �low culture� by serious writers�in the �field of literature,� implying that song lyrics have the same artistic value as poetry and novels, thus placing songwriters on a par with literary figures.

Which means the Swedish Academy, whose avowed aim is to �achieve a global distribution� of prize winners, must be considering, when they sit down every year to choose the winner of Nobel Prize in Literature, the body of work of lyricists in all music genres across the world, along with that of novelists, poets, and playwrights.

Which again means, someone like rapper Eminem, who was once hailed by Irish poet and Nobel Laureate Seamus Heaney as having �created a sense of what is possible� and �sent a voltage around his generation,� can now fancy his chances of winning the Nobel, especially given that rap is�as John Sutherland, Professor Emeritus of Modern English Literature at University College London, put it�a �very word-centered� form, with its essence being rhyming and unfettered self-expression. Perhaps, so can quite a few songwriters of repute in India who write lyrics for playback singing in various Indian languages and had to remain content hitherto with film awards. Catch my drift?

The choice of Dylan is noteworthy in another way. Winning the world�s most prestigious prize for literature often gives a massive fillip to the sales of the works of the winning author. Following the announcement of Nobel, Dylan, who has notched up about 1,500 million album sales in his illustrious career, for a change, found his books Chronicles: Volume One and The Lyrics: 1961-2012 among two of Amazon.com�s fastest sellers for the first time. Sensing an opportunity, the publishing industry has already started adding more musicians to their roster with a view to catering to a whole new segment of readers who find insights and instructions in their lyrics.

Needless to say, a book is not the habitat of a song lyric, and songs, unlike literature, �are alive,� as Dylan put it in his Nobel acceptance speech, �in the land of the living. They�re meant to be sung [and listened to], not read.� In other words, song lyrics work best on records and not on the leaves of a book. This aspect needs to be kept in mind while turning song lyrics, originally targeted at the listener�s ears, into a printed compendium, targeted at the reader�s eyes. Adding backstories on how the singular idea for the song originated, took shape, and turned out as the final product would add more literary value to the lyrics themselves and perhaps would justify a Nobel. To sum it up in Dylan�s words, �Come writers and critics / Who prophesize with your pen / And keep your eyes wide / The chance won�t come again / And don�t speak too soon / For the wheel�s still in spin / And there�s no tellin� who that it�s namin� / For the loser now will be later to win / For the times they are a-changin�� (�The Times They Are A-Changin��).

Sukanya Saha, in her paper, examines whether Dylan�s work can be considered poetry that merits the Nobel Prize; Urjani Chakravarty and Gulab Chand trace the discursive elements in book reviews on an online forum like Goodreads with reference to the Indian narrative tradition; Ajeesh A K and R Pranesh Kumar discuss the potential of self-translation to remold and regulate the very fundamentals of translation studies; Hossein Sheikhzadeh presents a postcolonial ecocritical analysis of the politics of �development� with reference to Arundhati Roy�s essay �The Greater Common Good�; Ankita Paul and Dipankar Sukul distil the sociopolitical message of four selected proscenium plays of Badal Sircar; Denish Raja Durai K shows how the oriental tendency to integrate helps in the resolution of chaos as opposed to the occidental tendency to separate, with a comparative study of Girish Karnad�s Nagamandala and John Keats� �Lamia�; Nibir K Ghosh delineates the role of Netaji Subhas Chandra Bose as a savior and builder of modern India with instances from his life and work; M Chandrasena Rajeswaran argues the case for oral assessments based on task-oriented dialogic exercises in the ESP classrooms at the undergraduate level; and Mitashree Tripathy highlights how learning English sounds is important for adult English learners in India to improve their English speaking skill.

-Venkatesan Iyengar
Consulting Editor

Article   Price (₹)
Bob Dylan�s Literary Merit: A Critique
100
Analyzing Book Reviews Within Indian Narrative Tradition
100
Self-Translation as an Effective Tool to Restructure the Domain of Translation Studies
100
Postcolonial Ecocriticism: A Study of �Development� in Arundhati Roy�s �The Greater Common Good�
100
The Role of Man in Bringing About Social Change: A Study of Selected Plays of Badal Sircar
100
East Meets West: Girish Karnad�s Nagamandala and John Keats� �Lamia�
100
Netaji Subhas Chandra Bose: Immortal Legend of India�s Freedom
100
Dialogic Paradigm in Teaching and Assessing English for Specific Purposes (ESP) in Higher Education
100
Teaching the Fundamentals of English Sounds to Adult Learners in India
100
Articles

Bob Dylan�s Literary Merit: A Critique
Sukanya Saha

Bob Dylan�s songwriting extricates him from the pedigree of poets, establishing songwriting as a self-governing genre for cogitations. His emergence as the greatest creator of songs in human history with his volume of works and their influence on mankind make him a proponent of that counterculture which rejoices in unabashed liberty of themes and techniques. He has been hailed for �having created new poetic expressions within the great American song tradition.� Song lyrics are not destined to be poetry; they have a soul of their own. And recognizing Dylan�s works is akin to reexamining the literary scope of �poetic expression.� This paper identifies and analyzes certain characteristic features of Dylan�s songwriting style. It focuses on his poetic gifts, essentially on his linguistic and paralinguistic choices, and argues how and why one should refrain from finding parallels between his songs and mainstream poetry. Evidently, Dylan�s art lies in infusing song lyrics with the soul of poetry, retaining that tempo which characterizes songs essentially.


© 2019 IUP. All Rights Reserved.

Article Price : ? 100

Analyzing Book Reviews Within Indian Narrative Tradition
Urjani Chakravarty and Gulab Chand

Reviews of well-read novels on Goodreads are in the form of a discussion forum and provide an alternative discursive pattern. This paper is centered on the Indian Narrative Tradition, contending that such an approach enables us to critically engage with the reviews as a case study, thus synthesizing a narrative design developed through practice. Unlike other reviews that focus on benefits or lack thereof, there are no acknowledged rules for book reviews on Goodreads. The paper analyzes the reviews and defines a book review within narrative research. The quality of the reviews is aimed at describing alternative domestication patterns. The selection of classic novels for review is employed to maintain an effective strategy. Thus, it is demonstrated that the dynamics of alternative narrative during the process of review writing follows the organizational pattern of Indian Narrative Tradition.


© 2019 IUP. All Rights Reserved.

Article Price : ? 100

Self-Translation as an Effective Tool to Restructure the Domain of Translation Studies
Ajeesh A K and R Pranesh Kumar

As an area of academic enquiry, self-translation is still in its nascent stage, and the domain of translation studies has so far failed to address some of the concerns raised by this field. The fundamental pillars of translation studies like faithfulness and equivalence, and binaries like author/translator and source text/target text find almost no space in the domain of self-translation. Due to the complex nature of the act, it transcends the existing classifications in translation studies, and if recognized as its branch, it has the potential to expand the scope of translation studies. However, in order to accept self-translation as a recognized branch of translation studies, the domain of translation studies will have to let go of its rigid foundations and embrace a more dynamic and fluid structure. This paper attempts to recognize the act of self-translation as a potential tool to restructure the domain of translation studies and analyze its possibilities.


© 2019 IUP. All Rights Reserved.

Article Price : ? 100

Postcolonial Ecocriticism: A Study of �Development� in Arundhati Roy�s �The Greater Common Good�
Hossein Sheikhzadeh

Postcolonial literature, also called �protest literature,� demands social justice for the atrocities committed against the natives, but not much attention has been paid to the atrocities against the indigenous environment. Postcolonial studies has mostly been anthropocentric. However, the destruction of the environment during the colonial period needs to be addressed, as human beings and nature are interdependent. The colonial rulers regarded any unused natural resource to be unproductive, and in order to make it �productive,� the native environment was either wiped out altogether or vastly restructured to suit their purpose of economic benefits. The restructuring of the natural environment affected the indigenous people because they lost not only their roots and culture but also their traditional livelihood. This vast restructuring of nature has been justified on the grounds of �development,� but this development has always been an uneven one from a materialistic point of view because in this development, only the most powerful in the hierarchy of power have benefited, whereas, the colonized�the poor, the natives�have always been exploited. This paper delves into the issue of �development� in the postcolonial context with reference to the essay �The Greater Common Good� by postcolonial writer-activist, Arundhati Roy.


© 2019 IUP. All Rights Reserved.

Article Price : ? 100

The Role of Man in Bringing About Social Change: A Study of Selected Plays of Badal Sircar
Ankita Paul and Dipankar Sukul

During the 1960s, Badal Sircar, one of post-independent India�s most prominent playwrights, wrote some serious plays which reflected the sociopolitical turmoil of the contemporary period, emphasizing on the need for a social change. This paper analyzes four plays of Sircar, namely, Evam Indrajit (And Indrajit), Baki Itihas (That Other History), Tringsha Shatabdi (Thirtieth Century), and Shesh Nei (There�s No End), in the context of the references made to the prevailing sociopolitical problems of that era and examines how Sircar throws light on the fact that man alone is responsible for bringing destruction to the world and inviting disharmony in his life. It further attempts to establish the fact that through his plays, Sircar intensifies the guilt in man and urges him to take responsibility for the occurrences around him. A study of the selected plays helps understand the emphasis that Sircar puts on the need for a social reformation, which can happen only through the collective efforts of mankind.


© 2019 IUP. All Rights Reserved.

Article Price : ? 100

East Meets West: Girish Karnad�s Nagamandala and John Keats� �Lamia�
Denish Raja Durai K

The paper makes a comparative study of Girish Karnad�s play Nagamandala and John Keats� poem �Lamia� with reference to the archetypes used in both the works. The paper shows that in �Lamia,� it is clearly the Occidental mind at work, which separates the male and the female, the instinct and the intellect, the goddess and the witch. On the other hand, in Nagamandala, the Oriental tendency toward integration operates in bringing together the same contraries.


© 2019 IUP. All Rights Reserved.

Article Price : ? 100

Netaji Subhas Chandra Bose: Immortal Legend of India�s Freedom
Nibir K Ghosh

Those who create history rarely have the time to record the account of their contribution to it. Despite leading an intensely hectic social and political life right from his early childhood to his alleged death on 18 August 1945, Netaji Subhas Chandra Bose has left behind for posterity voluminous accounts of his experiences as a student, as a social worker, as a philosopher, as a political prisoner, as a member and President of Indian National Congress, and as an undisputed leader of the historic Indian National Army (INA). This paper begins by tracing the influence of cult figures like Rabindranath Tagore, Sri Aurobindo, and Swami Vivekananda on Bose and discusses at length the various aspects of his life, work, and creativity that went into the making of the �Indian Pilgrim,� for whom sacrifice and suffering were pious offerings at the hallowed altar of Mother India.


© 2019 IUP. All Rights Reserved.

Article Price : ? 100

Dialogic Paradigm in Teaching and Assessing English for Specific Purposes (ESP) in Higher Education
M Chandrasena Rajeswaran

The present status of English as a global language demands a new perspective not only to teaching and learning English in India but also to assessing English proficiency of the learners. In the globalized work culture, engineering graduates� oral proficiency in English ensures their adaptability and career growth. Engendering opportunities for interaction in the English for Specific Purposes (ESP) classrooms and utilizing the communicative activities themselves for formative and summative oral assessments is proposed in this paper, because only oral assessment could induce the undergraduates to learn to speak in English. Further, it deliberates on dialogic teaching approaches and assessment methodology and tools to fine-tune the oral communication skills of ESP learners in the higher education portals of India.


© 2019 IUP. All Rights Reserved.

Article Price : ? 100

Teaching the Fundamentals of English Sounds to Adult Learners in India
Mitashree Tripathy

English speakers from native English-speaking countries have a very attractive way of delivering their speech and have a good grip on the language. The reason is, the pronunciation they use has the right kind of effect on the listeners, especially for nonnative English-speaking countries. While in native English-speaking countries, the English LSRW skills come naturally to the speakers, the nonnative English speakers have to make efforts to learn and master those skills. Of all, listening and speaking are the first set of skills a child learns. In India, English is a second language, hence learning the right way to speak it requires massive efforts and practice. While learning the English language, one must understand that English as a language has different variations across the world and also there is a vast difference between speaking and writing English. This paper focuses on teaching the English sounds to adult learners in India.


© 2019 IUP. All Rights Reserved.

Article Price : ? 100